Thursday, February 19, 2009

THERE ARE MANY WAYS OF BEING ALIVE BUT ONLY ONE OF BEING DEAD?

A living individual is an object of this world that tends to conserve its own identity, independently from the fluctuations of the rest of the world [ENVIRONMENT]. And the environment does indeed change. ADAPTATION is the ability to withstand the typical changes of the environment. INDEPENDENCE [or ADAPTABILITY] is the ability to withstand new changes. ADAPTATION refers to the certainty of the environment, ADAPTABILITY to its uncertainty.

They are not the same thing. We could even say that more of the former means less of the latter.

The uncertainty of the world is its greatest certainty.

So if there is a one question worth asking, it is this:
HOW CAN ONE STAY ALIVE IN AN UNCERTAIN ENVIRONMENT?

Perhaps the key to understanding biological evolution is not the concept of ADAPTATION but that of INDEPENDENCE. The idea is promising, because physics and mathematics, their laws and theorems, operate not in terms of ADAPTATION but of INDEPENDENCE.

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I felt an urge to re-read some notes of mine from my older journals. This introductory note of Jorge Wagensbergs paper on the three states of independence really caught my attention back then and made me re-read it now after 4 years after first discovering it... Re-reading the material with a fresh pair of eyes made me see much more in those sentences, now filtering his statements through Ilya Prigogene's theory of irreversible thermodynamics and Fritjof Capra's Minimal life's statements.

Wednesday, February 18, 2009

Thy Veils






It was Gabi's handwriting that pushed me for this. Actually what first caught my attention was the organic ligature between the 'T' and the 'h' - a beautiful ligature indeed.

Thy Veils is a project of Daniel Dorobantu

Tuesday, February 3, 2009

ONE

"One will acquire a funny hypnotic power over flattened minds, particularly those of stupid museum curators who reject ornithological art because it is influenced by Chopin's flighty spirit. One will censor the invisible writings by General Petain which hide in the delicate Art Nouveau ornament of the Metropolitan - provided one is willing to reconnoitre a flat cadophyll with a feeling of remorse."

D. Libeskind ~ ( COUNTERSIGN - Academy Editions 1991 )